z4 On (Mar – May ’13)


Aah, the first post on a newly redesigned site. Feels great, feels like a newly ironed shirt still warm. Well, here’s another post in the Organised Noise-series (now shortened to On) where I give you a text with some opinions on what new music came out this past 2nd quarter of the year (March, April and May). I think this edition is way better in multiple ways, for one I took all those single track spotify (I’m sorry if you don’t use spotify) embed codes and put them into a single z4On-playlist. I also think the writing’s actually read-worthy here as oppose to the previous text.
I hope you’ll like it!

haimOpening up with a catchy feel-good guitar lick Psychemagik quickly transforms the original Rnb sounding some from the vocal heavy sister-group to a summery electro-tune. This version feels a lot more stripped down then Haim’s take, which gives it more of a lo-fi sounding feel. I do prefer Psychemagik remix to Haim’s single because it doesn’t feel as forced. I can’t help but feel that the original release of the song feels a little more constructed than the remix, it has it’s peaks but they don’t feel quite as earned.

Haim is a vocal centered rnb-sounding group from Los Angeles with the three sisters Haim in focus. Este, Danielle and Alana has had the band since 2006 with different people on drums and guitar. They released their first material in 2012, the singles Forever and Don’t Save Me, and their latest single Falling which came out in February. They’ve been working on their debut album and has stated that I’ll come out later this summer.

austra“You know that it hurts me when you don’t come home at night” the opera trained singer sings over some simple yet poignant piano-bashing. Later the track introduces some electro-flavor to accompany the melancholic singing/piano playing. Bringing in some fast tempo drumming and a set of string and flute instruments to back-up the powerful voice of the lead-singer and this track is a great follow-up to the groups hit debut single Lose It.

Austra mixes synth-pop with the great singing voice of Katie Austra Stelmanis. The groups debut album Feel It Break topped a lot of music-fans best lists 2011. Yet if their new single Home, made was available back in March,  is any indication of what the upcoming album will bring it seams to be one to have a close eye on. Compared to Lose It the track Home feels richer in sound and greater in size. That’s Austra’s newest single and the album will get released June 18th, so grab it then.

daft punkPanda Bear’s collaboration track with Daft Punk is basically two different line of lyric. One sung with a fast pase and the other with a slower softer quality. He then takes these two and plays around with it experimenting to see what happens when one plays to the other. Very much of his music be it his solo project (Comfy in Nautica), Animal Collective (Brother Sport) or collaborations with other artists (Things Fall Apart) this element is used in one way or another. His music can be likened to the hunting style of that of an Anglerfish (such a cool name) making you focus on one sample being looped over and over while the real work is done underneath. If you haven’t heard the track or the new Daft Punk album by now, it’s been out a while now, you’re really out of the loop.

I first got introduced to Animal Collective in the later aught’s, probably right after the release of Strawberry Jam (one of my favorite albums) really liking the trippy track Fireworks of that album. Also laying down with a pair of headphones in bed just to listen to Person Pitch, it’s something I seldom do.

He’s been popping up without notice from time to time. With a solo-album, Tomboy, two years ago and Animal Collective’s Centipede Hz last year along with some appearances in other peoples work I hope he’ll keep releasing exiting new material for a while longer.

kurt vileOpening track Wakin on a Pretty Day from Kurt Vile’s album Wakin on a Pretty Daze is a warm sounding soft rock track. It’s got a really nice sound with a rich emphasize on the guitars. The slurring voice of the singer and lead-profile Kurt Vile sounds as if he’s yawning out the lyric-lines. And the way the band accompanies Vile like a pillow, when he stops and let out the last word of the line he then nods off and the pillow catches him and takes over for awhile.

The first I heard of Kurt Vile was Jesus Fever as his fourth solo album Smoke Ring For My Halo got released. There as here we get a sleepy man singing over a rock n roll band, making some early psychedelia era inspired rock-music. Some highly sway worthy tunes, sway and man worthy tunes. And I think… I’m just gonna… that I’m just… gonna… leave it… there… Zzz Zz…

dirty projectorsThis posts second and last remix track is brought to you by Joe Goddard of Hot Chip fame. The Socialites is a track taken from the rhytm-manic indie-rock group Dirty Projectors’ album Swing Lo Magellan. Sung by the lovely vocalist Amber Coffman, who by the way also put some magic on the amazing Major Lazer track Get Free, getting backed up by the dance(-music) master who remakes it into a cool electro tune. Cool like a nice cool glass bottle held against your forehead and neck after a round on the club-floor.

Apart from this and Hot Chip Joe Goddard also makes music in a duo called The 2 Bears who put out the little dance-hit Work last year. He also made the brilliant Gabriel the year before, which definitely was one of my favorite pieces of music of that year, brilliant.

You should also check out Dirty Projectors if you haven’t. Their music is quite interesting with a originality which doesn’t feel overly forced. It was after their break-out album and the song Stillness is the Move that I started listening to them. Gun has no Trigger is also a must listen by my standards, I don’t know why but I really think it would be a great song for a James Bond-movie.

alunageorgeAlunaGeorge was mentioned in my previous on-post, then for their collaboration with Disclosure on the track White Noise. Here we get a much more organic and upbeat track by the London duo. Starting of with some kind of flute playing a simple melody, moving on to a beautifully mixed vocal performance from Francis. It’s an airy soft touch she gives us, and before you know it the track ends again back at the flute (still not sure).

The duo meet in London a few years back though they started getting some recognition after the release of the track Your Drums, Your Love. The debut album is still due and is set for release on July 8th. If you can’t wait why not give the new Disclosure album a try, Settle was released yesterday after all. The second track When a Fire Starts to Burn is great and was considered a spot in this edition of z4 On. It’s a sample centered track with a repeated speech given by what I imagine is a preacher of some church located in USA’s southern states.

vampire weekendAlways evolving music-group Vampire Weekend has a new album out, Modern Vampires of the City, which features the single Diane Young. It’s an up-beat fast, some-what chaotic indie-pop song with semi-automatic snare-drum banging and low-pitched vocals. It’s a rich song with many different sections.

Vampire Weekend had a huge hit with their debut single A-Punk from the fantastic self-titled album. I said always evolving because they’ve always managed to have a new direction in their music for every album they’ve put out. To say give their latest a listen isn’t fair because I think all three of their albums are equally worthy of your time.

ghostIdolatrine is a song of the Swedish metal-band Ghost’s newest album Infestissumam. It’s an happy sounding song which sounds more like something from an early era of metal music than any of the modern metal-music (I’m certainly no expert so don’t take my word of it).

This isn’t your regular screamo-core, off-rhytm, 8-string, down-tuned to B metal-band at all. This is a nice album which will reference satan with a wink of the eye. It’s done not because of any religious belief but rather because of an musical loyalty and an understanding of the campy aspects of the genre, or that’s what I like to believe any way. The Swedish group always appear in costume, and here’s a video from a live apperance where we can see frontman Papa Emeritus II and the five nameless ghouls perform the single Secular Haze.

Janelle Monaé has a new album on the way and Queen is the first single from that new album. It’s a funky party-track with some hip-hop flavor, a bass-line which will melt the coldest of hearts. All that an organ, backing choir blasting through your speakers and I dare you to listen to this without getting a desire to dance. I double dare you.

Janelle Monáe’s latest album was 2010’s The ArchAndroid with the great neo-soul song Cold War, which at the time won me over for it’s similarities with the neo-soul duo Gnarls Barkley. The upcoming album is named The Electric Lady, continuing her human-machine naming conventions and hopefully bringing with it some great music. Right now it’s scheduled for a release later this fall.

Here’s a new song, named New Slaves, from the well known super-ego rapper Kanye West. It’s an minimalistic cold industrial-influenced rap song with an raged induced rant on commercialism and racism shouted out at high speed by the super star.

The track was first announced to the public through multiple videos being projected onto buildings in 66 different countries around the globe. The video is a close-up on Kanye’s face all the way through out the entire song, it’s been filmed and made available by fans who went and watched the visual promotion spectacle.

It’s the first release for his upcoming sixth album ‘Yeezus’ which is set to release on June 18th. It’s the follow up to the highly praised My Beautiful Dark Twisted Fantasy, an album I though was great back in 2010 but one that I haven’t been going back to that much. I can still get chills just by thinking about Nicki Minaj’s contribution to Monster, though. But wait there’s more, besides the new direction musically, and the promotional stunt there’s also been a ban out on any pre-orders of the upcoming album.

Here’s an video from his live appearance on the american comedy show Saturday Night Live:

There we have it.
Too few of you has utilized the comment section below. If you have any (ANY) thoughts or want to share a track which means a great deal to you, just say so. Share your thoughts so I’ll know if anyone’s actually reading this. Also if you liked the playlist you may subscribe to it as well as the old one.

PS: Ha en bra dag!


It’s just a bunch of organised noise! (Dec ’12 – Feb ’13)


Let’s get it on!

This is a little something special, now that March (first month of spring) has begun. And as we feel the cold dead claws of winter melt away to give room for happier times, why don’t we take some time to reflect. Reflect on what I’ve been listening to these past three months. Some of these tracks got released pre-December and I included them anyway.

MY music, MY RULES!

Caravan Palace is a electro-swing group from France. According to wikipedia they got started back in 2005 after three of the members got offered to make soundtracks for silent pornographic movies. I wonder how big this silent porno-scene is, one should research.

This track is from their latest album, Panic, which got released a year ago.

Foxygen is a experimental indie-rock band from the states. This track is from their second album, ‘We Are the 21st Century Ambassadors of Peace & Magic’, (catchy titles right?) which got released back in January.

I like how this track transforms between different styles. Beginning in one place to transform into something else just to quickly change again.

FIDLAR is a punk-rock band that seems to come from some surf/skate-culture scene in the sunny Los Angeles. This is a fast song with the simple chorus “I drink cheap bear, so what, fuck you”, a chorus which always manages to get me to sing along to it.

Disclosure is a UK electronic duo. This track being a colaboration with another UK electronic duo, AlunaGeorge. Both groups have albums set for release this year.

James Blake released his self-titled debut album 2011 and got a lot of attention for it. I had a short intense James Blake-period beginning with the first time I heard ‘Limit To Your Love‘.

Now this is his new single giving you even more of that electro-soul.

A$AP Rocky is one of the rappers from New York based hip-hop collective A$AP Mob. He put out a critically-acclaimed mixtape back in 2011 and in January got his debut album released. This is Hell a song from that album witch also features singer Santigold(you might have heard Disparate Youth). His album got some mixed reviews, but I’ve listened to this track and F**kin’ Problems, mostly as I’m working out.

John Grant is great! I really enjoyed his solo debut album Queen of Denmark and here is the title-track from his upcoming second album Pale Green Ghosts. He has left the folk-rock sound of the first album behind to here make a more synth-pop sounding record. The album comes out this Monday (11/3).

Phosphorescent is a american singer-songwriter. I haven’t listened all that much to his music but I LOVE this track. It’s a beautiful soft-rock sounding song about heartbreak. It’s without a doubt the track that I’ve listened most to out of this list, just behind John Grant’s Pale Green Ghosts.

The Strokes is probably the band on this list who doesn’t need any introduction. They got their success back in the early aughts with tracks like Someday and Last Nite. Here we hear a up-beat fast-paced synth-heavy track. They also release a more traditional Strokes song called All the Time, but out of the two I like One Way Trigger more.

Yeah and then I just want to shove this in here as well:

Yeah it’s a little peak into Daft Punk’s current project. I’ve had the looped version running all morning: http://www.infinitedaftloop.com/

So there you go, 9 tracks and a fifteen seconds teaser.

Have a nice spring now!